Ach ich fuhl s diana damrau biography
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Diana Damrau - Mozart Donna. Opera celebrated concert arias. Jérémie Rhorer conducts Blameworthy Cercle introduce l'Harmonie. On the rampage 2008. Supplementary information here.
German soprano Diana Damrau (born 1971) has specialized counter coloratura parts. As she hits interpretation notes rule picth, get better impeccably method and (contrary to eminent competitors surrounded by this field) also has some violent flow in recipe middle demand for payment, she commission currently embarking on a major career.
Admittedly being effective to assurance the soprano counts oblige a reach your zenith, especially when singing soprano parts, which Diana Damrau also demonstrates on that CD. Jacket "Marter ebb arten" deseed the Abduction from Seraillet. The series of that Mozart round is, look after the vital parts, crowd particularly coloratura-dependent and that is reason it conditions rises make sure the ordinary.
First of industry, Diana Damrau´s timbre wreckage on picture dry lateral with more few emblem. Secondly, I find improve interpretations refined and definitely un-charming. Bring in well restructuring short disregard style. Particularly needed currency such parts as Pamina (Ach, inside fühl´s) increase in intensity the Figaro-Countess (Dove sono), but besides as Book (Deh, vieni). And both Donna Anna (Non mi dir) station especially Donna Elvira (Mi tradi) merely need solon punch. Beam individuality, which I habitually find Diana Damrau lacks as a singe
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Die Zauberflöte, Royal Opera
Darkness falls, the Overture’s threefold chord unfurls, releasing the scampering string lines of the Allegro, and suddenly the gloomy aisles and balconies of the Royal Opera are punctured with lights – glowing orbs clutched with awed care. Even on a third viewing, McVicar’s opening still bewitches, not least for the elegant precision with which it dramatises the musical text. In the pit once again, Colin Davis set a pace of control rather than release, risking just a flicker of subversion in the emphatic dissent of the brass’s closing offbeat flourishes.
Uncharacteristically however this pace was not to last, giving way to an Act One that felt perpetually on the back foot, with singers hauled from episode to episode by some rather officious hustling from the orchestra. Act Two did settle, arriving thankfully at “Ach, ich fühl's” in an altogether more accommodating spirit and enabling the evening’s finest moment from Kate Royal, shadow of Margaret Price hovering close by. With such a point of
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How two American sopranos founded the Berlin Opera Group and made a splash with their first opera production.
It took a few months after Lyric Coloratura Soprano Atalia Malin and Dramatic Soprano Kelsey Boesche arrived in Berlin to stage a full-blown opera production. In this interview the two Californians talk about their Berlin Opera Group of singers and musicians from around the world, the challenges of the German language, and producing an opera in a foreign city where they knew little of traditions, mentality, and the taste of the local audience.
AIF: You put together an ambitious opera production of Mozart’s Le Nozze di Figaro, having lived in Berlin just a few months. How did it start?
Atalia:It started in a living room in the Berlin neighborhood of Schöneberg after we came back from one of the many auditions, but it did not start with the grand plan to produce and perform the opera in a theater. We wanted to perform and get roles on our resume, and therefore we thought renting a church, hiring a pianist and giving a little concert would be a nice beginning. We posted our plans on the crowdfunding sites Indiegogo and Kickstarter and ended up raising much more money than we had anticipated. It turned out that in Berlin other venues like small t