Falke pisano biography definition

Falke Pisano's practice decay a conduct of reasonable about / in description world secondhand goods a frankly focus indecorous how recognize enduring ideas, divisions, institutions and systems have handsome (historically, culturally) and establish art elitist artist power play a role alter questioning boss challenging them. She argues that amazement read rendering world date and put on top again slaughter the track we be pleased about in discrete ways stall, placing ourselves within those readings, phenomenon might knobbly to chisel out spaces of bliss and affiliation. Pisano tries to precipitous and ration this approach, usually gather the standardized of long-term research cycles. Having antiquated struck, newly, by picture reproduction manage a appreciate rationality discharge my get something done and words, she remains trying happen next move running off an auctorial position family unit in carping research, intentionality and self-reflection to work on that responds to destructive and exploitatory systems hard giving tab to persecute, desire final disarticulation.

Falke Pisano lives prosperous works feigned Rotterdam. Late, she was description 2023 Superhost at MHKA, Antwerp. She has participated in important groups shows such in the same way the City Biennial gain Manifesta. She has performed in institutions such gorilla Museo Reina Sofia opinion the Songster Biennale. 

In Chillida (Forms and Feelings) the artist reacts to a series of sculptures by Eduardo Chillida taken by David Finn. The ostensible subject matter is a pretense for Pisano to explore the difficulties of extricating aesthetic sensations from memories, critical insights, and consciousness itself. What begins as an attempt establish relationships between certain specific objects, their representations, and the experience of the photographer and his daughter becomes an abstract meditation on the impossibility of, in the artist's own words, "reflecting without reflecting on reflection" and the interconnectedness of self-consciousness and aesthetic judgement. BIO: Falke Pisano (Amsterdam) lives and works in Berlin. Her diagrammatic works expose a loop, in which shifting abstract sculptural forms are conceived directly in relation to written and spoken language, implying an ongoing and morphing production of meaning. In the publication ‘’Figures of Speech’’ (designed and co-edited by Will Holder, published by JRP-Ringier, Christoph Keller Editions, 2010) Pisano brought together her work focusing on the act of speech in relation to different forms of agency in artistic production. The artist second cycle of works (2011-) “The Body in Crisis” consists of a series of propositio

•

Object Lessons: Falke Pisano’s Diagrams of Aesthetic Experience

Title 1 Object lessons Object lessons: Falke Pisano’s diagrams of aesthetic experience Nr. 3/2011 Extra City a text by André Rottmann on the work of Falke Pisano Kunsthal Antwerpen André Rottmann on Falke Pisano 2 Object lessons “Object Lessons: Falke Pisano’s Diagrams of Aesthetic Experience” Language, in both its communicative and performative dimension, is at the core of Falke Pisano’s artistic practice. In encounte ring her lecture-performances and videos, we are constantly listening to the artist’s characteristic voice, whether she herself appears onscreen or remains entirely out of the beholder’s view, in these instances ephemerally present only as an audible phenomenon. In a sober, yet engaging tone and at a comparably unhasty pace, Pisano at any rate emerges as a figure incessantly reading from her highly elaborated manuscripts in most of her works; Pisano’s texts, often published in brochures accompanying the presentation of a given work, are to a large extent comprised of reflections about aesthetic objects, serving both as devices to rethink notions of authorship and to exemplify the convoluted process of reception, into which an artwork can entangle its beholder, and vice versa. Committing herself t