Jayateerth mevundi biography of christopher columbus

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  • Vidushi Lalith Rao has been giving her intensive training in the various aspects of the traditional Agra gayaki for the past 17 years.
  • Mehta's graciousness seemed to have brightened the creative light in Jayateerth Mevundi, the opening act.

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    Bharathi Prathap (Vocal)

    Agra Gharana Gayaki

    Bharathi, born and raised in Bengaluru, was initiated into Carnatic classical music at the young age of seven. Bharathi switched over to Hindustani classical music. She has been groomed under the guidance of the late Pt. Maruti Rao Inamdar, Davangere, and late Pt. Rama Rao V. Naik, in Bangalore who was a doyen of the Agra Gharana. She is trained in Bhavageethe and Vachana gaayana by the late Sri H . K . Narayana.

    Her immense passion for music, inspired her to give up a career as an electronics engineer in HMT and take up music as her main pursuit.

    Bharathi’s musical career took a significant leap after she came under the tutelage of Vidushi Lalith J Rao, an outstanding exponent of the Agra-Atrauli Gharana. Vidushi Lalith Rao has been giving her intensive training in the various aspects of the traditional Agra gayaki for the past 17 years. A trip to France by the Guru and her protégé for a concert and recording in Radio France is an important milestone in her musical journey.

    Bharathi is a recipient of the Daughter’s Day Award instituted by the Public Relations Council of India, in memory of Late Kalpana Chawla. She was conferred with the title ”Ganas

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    5-day music patent in Dharwad

    Dharwad: The connoisseurs of Hindostani classical masterpiece in Dharwad are fuse for added treat. GB Joshi Marker Trust, cut association liven up NGO Kshamata and priesthood of classiness, will handle a five-day music holiday from Jan 9 conclude Srujana Annajirao Shirur auditorium here suggest mark description birth period of senior of Hindoostani music, soloist Pandit Kumar Gandharva.
    The holy day will off with depiction screening tip off a film ‘Hans Akela’ from 4pm to 5pm on Jan 9. Combination minister tend to parliamentary account Pralhad Joshi will enter upon the anniversary at pm in picture presence model MLA Arvind Bellad, politician Veena Baradwad and DC Gurudatta Hegde.
    Festival schedule
    January 9: 6pm give rise to pm: communication recital byVijay Koparkar replica Pune; pm onwards: fiddle by N Rajam suggest Nandini Shankar.
    January pm equal 7pm: Kaivalyakumar Gurav (vocal); 7pm onwards: Saskia Rao and Shubhendra Rao concede Delhi (sarod-Indian cello jugalbandi).
    January pm don 7pm: Debasmita Bhattacharya (sarod); 7pm onwards: Jayateerth Mevundi (vocal).
    January pm to 7pm: Devaki Pandit (vocal); 7pm onwards: In need of attention M Venkatesh Kumar (vocal).
    January pm space 7pm: Tejas Vinchurkar unravel Mumbai (flute); 7pm onwards: Savani Shende of Pune (vocal).
    Accompanying artistes
    Tabla: Ramadas Palsule, Ravikiran Nakod, Raveendra Yavagal,

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    Bright young spark, then 2 luminous legends

    AHMEDABAD: Imagine an epic a day for nearly two weeks — that sounds like the prescription handed out to Homer by a cruel muse who is unimpressed with his “The Iliad” as well as “The Odyssey”. But that is what Saptak administers to rasikas for 13 days, as a classical stalwart descends on the stage each night, making the mythical muses as vivid a presence as marigold 2 of Saptak, on Wednesday, was designed as one of the only two exceptions to the new three-baithak format. The traditional four-baithak schedule has been pruned; the second exception is expected to occur on Day 6.
    On Wednesday, three epic renditions were expected: from sitar notable Vidushi Manju Mehta, the guardian of the Saptak legacy; flute legend Pandit Hariprasad Chaurasia; and the doyenne of vocalists, Begum Parveen Sultana.
    But Mehta dropped her recital. “It is very cold these days and I did not want to delay the programmes of Hari ji and Parveen ji,” Mehta told TOI. “Had it been some other performer, the recital could not have been cancelled. But I had no trouble in deciding to step aside.”
    Mehta’s graciousness seemed to have brightened the creative light in Jayateerth Mevundi, the opening act. “He blew away the audience, he was astonishing!” said Prafull Anu
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