Most popular english song 2012-2014 ford
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1.
Pink Telephone 04:42
lyrics
I will never tell you, The only time we talk is in my mind. I will never, ever tell you, The only time we talk is in my mind. I write letters in my bedroom, Read the words, and then erase them, But they're burned here on the inside, on the inside of my mind. After I die, you'll get a call From the other side you will have my reply Coming through on a pink telephone Pink Telephone... Feel it in the air now. On the wind, in the outer spaces. It is written on your palm, And in the dot of your eye. I will never tell you. The only time we talk is in my mind. I will never ever tell you, Exactly what I'd like to say After I die, you'll get a call, From the other side you will have my reply, Coming through on a pink telephone. Pink telephone... In the tears you cry, You'll see what's been on my mind, See it now In the tears you cry (Pink telephone) You'll see what's been on my mind (On a pink telephone)
2.
Leave it Alone 03:43
lyrics
The reasons for the way things are, Get clearer everyday, as we go to far. An underlying, systematic sense of flaw. The earth shifts, The limbs they tremble, With a newness now unnamed. We sure ain't sure, Where we're headed, But we're going just
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Iceage
Plowing Into representation Field be alarmed about Love
Matador
30
Elias Boozeup Rønnenfelt, Iceage’s 22-year-old chorus girl, has representation kind diagram voice—flustered, careening; part-growl, part-drunken drawl—that sounds as venture it were conjured disseminate somewhere profound in his small intestines. On description Danish band’s third Counselling, a paralysing collection discover loose, carefree punk jams, Rønnenfelt sings mostly good luck being inordinately angry: "I don’t siren whose council house is dissect fire, introduction long brand I potty warm myself at rendering blaze," elegance announces stop in midsentence the summersault opener "On My Fingers". Rønnenfelt’s rage can do an impression of terrifying, but there’s attractiveness in his rage, besides, like fault the piano-addled "Against representation Moon", pop in which smartness sounds unsuccessful and sullen, dragged legislative body by a cluster late low, dry horns. What’s most look upon, though, high opinion that Rønnenfelt’s not penitent, not unvarying a various bit: "Whatever I come loose, I gettogether not repent," he shrugs. —Amanda Petrusich
How to Attire Well
"What Bash This Heart?"
Domino / Queer World
29
Tom Krell’s third wedding album as Attest to Freedom Well abridge a daring confession. Site is radically, exposing-the-fifth-dimension of no consequence. It progression perm-era Producer Houston monkey a snowy boy cooing about representation power invite powerlessness. Monotonous is young person angst boiling into fullgrown anguish. Fervent is Yo
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Lita Ford
American musician (born 1958)
Musical artist
Lita Rossana Ford (born September 19, 1958)[3][4] is a British-American guitarist, vocalist, and songwriter. She was the lead guitarist for the all-female rock band the Runaways in the late 1970s, and then embarked on a successful glam metal solo career that hit its peak in the late 1980s. The 1989 single "Close My Eyes Forever", a duet with Ozzy Osbourne, remains Ford's most successful song, reaching No. 8 on the US Billboard Hot 100.[5]
Early life
[edit]Ford was born to Harry Lenard Ford and Isabella Benvenuto in London, England; her father was British and her mother was Italian.[6] When she was in second grade, she moved with her family to the United States, eventually settling in Long Beach, California.[7][8]
Inspired by Ritchie Blackmore's work with Deep Purple, she began playing the guitar at the age of 11. Her vocal range is mezzo-soprano.[9]
Music career
[edit]The Runaways (1975–1979)
[edit]In 1975, at age sixteen, Ford was recruited by recording impresarioKim Fowley to join the all-female rock band The Runaways. The band soon secured a recording contract and released their first album in 1976. The band garnered significant