Quentin tarantino biography cortacal

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    Quentin Tarantino’s Inglourious Basterds: A Manipulation of Metacinema , ,

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    Introduction Locating Mr. Tarantino or, who’s afraid of metacinema?

    “We’re not interested in photographing the reality. We’re interested in photographing the photograph of the reality,” was Stanley Kubrick’s definition of his essential POV.1 This formula is certainly also recognizable in the cinema of Quentin Tarantino, and even if the methods of Kubrick and Tarantino may diverge to the point of extreme opposites (Kubrick being more interested in content and its ambiguity rather than style or meta-commentary) the philosophy of distancing relates them. Both construct a cinema with the “aesthetics of contingency.“2 Kubrick’s postmodern fissures in late high modernism demonstrate a “conditional rather than a dialectical” worldview.3 But something else haunts his oeuvre as well, the idea that our contemporary Western civilization has not truly developed as it might have from the promises of the eighteenth-century Enlightenment: a Louis XVI-style bedroom as sum cosmic total; Nabokov’s nymphet as bullet-ridden Romantic court portrait; M.A.D. rationalism as blueprint for our acceptance of the apocalypse and how to love it; Beethoven with snake. Suggesting René Magritte’s painting on

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    You can watch movies from Quentin Tarantino’s personal collection

    Quentin Tarantino is having fun. He’s recently taken over the programming helm of the New Beverly Cinema, the theater he bought in  to save it from indie-theater destruction. Starting this month, Tarantino is screening movies right out of his personal collection. And all the movies will be on film, good old-fashioned 35mm film. 

    Tarantino joined Elvis Mitchell on The Treatment this week to talk about the project. Below is an edited transcript of their conversation.

    ELVIS MITCHELL: Our old friend Quentin Tarantino, you may know him, his film “Pulp Fiction” celebrates its twentieth anniversary this year.

    QUENTIN TARANTINO: Yeah boy

    EM: Yeah boy…Oh my God…Suddenly Flavor Flav of sitting across from me, and in he took of the new Beverly theater, and once famously said, “As long as I’m alive, and as long as I’m rich the New Beverly will show films in thirty-five millimeter. As of this month, October, he’s taking over the programming of the New Beverly.  First of all, it’s always good to have you back here. Thanks so much for doing this.

    QT: It’s good to be here mate.

    EM: And tell me about doing this, because you’ve had a fairly active hand in the programming there anyways.

    QT: I mean you know from time to tim

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