Solmaz panahi biography definition

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  • Hit the Road (2021 film)

    2021 Iranian film

    Hit the Road

    International poster

    Directed byPanah Panahi
    Written byPanah Panahi
    Produced by
    • Panah Panahi
    • Mastaneh Mohajer
    Starring
    CinematographyAmin Jafari
    Edited by
    • Ashkan Mehri
    • Amir Etminan
    Music byPeyman Yazdanian

    Release date

    • 10 July 2021 (2021-07-10) (Cannes)

    Running time

    93 minutes
    CountryIran
    LanguagePersian
    Box office$890,145[1]

    Hit the Road (Persian: جاده خاکی, romanized: Jadde Khaki, lit. 'Dirt Road') is a 2021 Iranian road comedy-drama film written and directed by Panah Panahi in his feature debut. It depicts an Iranian family driving to the Turkish border to smuggle their young adult son out of the country. It premiered in the Directors' Fortnight sidebar at the 2021 Cannes Film Festival, and won top prizes at the BFI London Film Festival and the Singapore International Film Festival.[2][3]

    Cast

    [edit]

    • Hassan Madjooni as Khosrow, the father: A dry humored man with a broken leg who is oftentimes not taken seriously by the rest of his family. He shows signs of agitation when his advice is not accounted for yet he rarely speaks up to defend himself;
    • solmaz panahi biography definition
    • Disembodied Dreams: Screengrab from the film Hidden

      Disembodied Dreams: Screengrab from the film Hidden

      The haunting reverberations of a Kurdish girl’s song in Jafar Panahi’s short film, Hidden, keeps us fascinated and leaves us craving for a glimpse of the singer who can be heard but must remain hidden. The girl, who has a preternaturally gifted voice and lives in a Kurdish village in Iran, is at the heart of the 18-minute film; however, she speaks and sings from behind a curtain. This is the only way the audience senses her presence in the film for a couple of minutes towards the end. Her presence is ephemeral but by no means evanescent as her song has a lingering effect on the viewer on several levels. In his inimitable style, which always makes intriguing use of self-reflexivity, the acclaimed Iranian filmmaker portrays the multiple layers of struggles that women in his country face day in day out.

      Panahi’s movies garner special attention as he has been banned from making movies in Iran since 2010. He has nonetheless continued making movies which were screened and won many awards at Cannes, Berlin and other international film festivals. Panahi was arrested last year for protesting the detention of two fellow filmmakers who had been critical of Iranian auth

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