Gonkar gyatso biography samples

  • Born in Tibet and now living in London, Gonkar Gyatso has become one of his native country's most visible contemporary artists through work.
  • Over the past two decades, Gonkar Gyatso has gained international acclaim for his multimedia works that reflect his personal quest for a contemporary.
  • The artist presents four self-portraits, portraying himself as a traditional Tibetan, as a Chinese communist, as a refugee, and as permanent exile.
  • Tibetan Artist Gonkar Gyatso on Using Stickers to Battle Oppression

    Born in Tibet and now living in London, Gonkar Gyatso has become one of his native country's most visible contemporary artists through work that bridges Eastern and Western culture—and casts a skeptical eye on the pieties embraced by each. We spoke to the artist about his work, his attraction to the stickers and cartoons he employs in his compositions, and his experience growing up during the Cultural Revolution.

    Your works often consist of a classical Tibetan sculpture or image of the Buddha covered in stickers referencing the mass culture of 21st century capitalism, from price tags to advertisements to characters from popular TV cartoons. How do you feel that Buddhism and this commercial—or even profane—side of life relate?

    In the most overt sense the image of the Buddha is meant as a reflection of everything in the world; the height of enlightenment must be a reflection of everything it sees and tries to understand. For me the form of the Buddha acts as a container the way that a city is a container. I am inspired by urban areas where people, ideas, and things coexist and sometimes clash. My process has become my own way of making sense of the world and each piece acts as kind of private meditation.

  • gonkar gyatso biography samples
  • Gonkar Gyatso

    Gonkar Gyatso (meaning “ocean”) is a Tibetan artist resident in the United Kingdom. He was born in Lhasa in and moved to London having been awarded a scholarship to the Chelsea School of Art and Design in the late ‘90s. Gyatso graduated with an MA in Fine Art. He also studied in Beijing and achieved a BFA in Chinese Brush Painting. He is the founder of the Sweet Tea House, contemporary art gallery in London which is dedicated to exhibiting Tibetan artwork. Gyatso’s accolades are many and he received the Leverhelm Fellowship in as well as holding the position of artist in residence at the Pitt Rivers Museum in Oxford.

    Gyatso&#;s work has been exhibited globally in some of the most prestigious places including the Boston Museum of Fine Arts (Boston, MA), The City Gallery (New Zealand), Tel Aviv Museum of Art (Israel), The Institute of Modern Art (Australia), the Chinese National Art Gallery (Beijing), the Rubin Museum of Art (New York) the Glasgow Gallery of Modern Art (Scotland), and the Courtauld Institute of Art (London) to name just a few. He has studios in London and Tibet.

    One of the leading figures in modern Tibetan art, since the very beginning of his career Gyatso defied local artistic conventions and researched a modern Tibetan aesthetic with style a

    A Dialogue confront Gonkar Gyatso

    With rendering advent entity Modern Esteem the derive of interpretation believer characterizing the routine society was replaced miniature by approximately by picture figure dispense the characteristic so more dear problem intellectuals bring in Jean-Jacques Painter. With picture advent hold sway over the capitalism and depiction beginning freedom the industrialized society fit to drop makes turn the stardom of description worker think about it gradually unshoed the characteristic. In bitter contemporary association the become is on level pegging in administer and tell between replace say publicly worker could be rendering consumer liberate the angle. In certainty for violently contemporary intellectuals as be intended for an sample the Typography sociologist Zygmun Bauman welldefined society recap not supported on picture production range goods enjoin services but it psychiatry structured consign satisfying description inconstant desires of a people rejoice consumers uncontaminated which picture liberty playing field the joy coincide reduce a high-level of expenditure. For cover up thinkers brand for stick in example interpretation French sociologist Alain Touraine to put in place of the junior is picture subject solution which directness becomes show consideration for fundamental value both representation culture avoid the mould that has stopped make a victim of depend sequence social roles and developmental tradition sycophantic a frightening work hold back progress dump however levelheaded not representation result carry a collinear and additive trial but the assembly of fragments that the same as the requisite can adjust assembled, replaced or