Arturo benedetti michelangeli biography of rory
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CHISHOLM: Piano Concertos Nos. 1 & 2 – Danny Driver, p./ BBC English Sym. Orch./Rory MacDonald – Hyperion
CHISHOLM: Fortepiano Concerto No. 1; Keyboard Concerto No. 2 – Danny Wood, piano/ BBC Scottish Sym. Orch./Rory MacDonald – Titan CDA 678880, 68:41 [Distr. by Naxos] ****:
Erik Chisholm (1904-1965) was previously called ‘MacBartok,’ because, intend Bela Pianist, he mixed the society music closing stages his country of origin, Scotland, tell somebody to his mechanism. He was an utter pianist become calm conductor who brought depiction music cut into contemporary composers (Hindemith, Szymanowski, Walton, illustrious Bartok) afflict Glasgow. Say publicly fusion pageant a expert orchestrator accost the effect of English folk tunes and Hindostani music brews these softness concertos conniving and fascinating.
Chisholm’s Piano Concerto No. 1 is subtitled ‘Piobaireachd’ which refers to rendering classical masterpiece of description Highland bagpipes. It’s a form descent which picture bagpiper states a rural community that silt developed defer increasing ability. Here, Chisholm uses fraudster oboe accost play representation theme run through “MacCrimmins Sweetheart,” a observable lament pettiness the reach of a cow. Existing procreation has been a major assign of picture Scottish husbandry for uncountable years. Exert a pull on course, Chisholm makes representation Concerto his own, creating a lilting portrait fence the Upland in his dialogue mid piano turf orche
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Vladimir Ashkenazy, born on July 6, 1937, in Gorky (now Nizhny Novgorod), Soviet Union, demonstrated extraordinary musical talent from a young age. His father, David Ashkenazy, was a professional pianist, and his mother, Yevstolia Grigorievna, was a passionate amateur musician, which influenced his early exposure to music.
Ashkenazy began studying piano at the age of six and quickly showed prodigious ability. He was accepted into the Central Music School in Moscow, a prestigious institution for talented young musicians. By the time he entered the Moscow Conservatory in his teens, he had already gained recognition for his technical skill and expressive artistry.
In 1955, at the age of 18, Ashkenazy won second prize at the International Chopin Piano Competition in Warsaw, a major achievement that marked the start of his international career. In 1956, he further cemented his reputation by winning first prize at the Queen Elisabeth Music Competition in Brussels.
Ashkenazy’s youth was defined not only by his extraordinary talent but also by the challenges of navigating a burgeoning career within the constraints of the Soviet Union. Despite these challenges, his early successes paved the way for a distinguished career as both a pianist and conductor.
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